I want to treat this installment as a news flash. Mark Goodwin has an upcoming event and Dave Migman has two new releases of music and poetry.
First, I’ll pass on the basics of the exhibit Mark Goodwin is putting together in Leicester, quoting from an email announcement he sent me: “Poems, places & soundscapes An international exhibition of digitally produced sound-&-poetry focusing on place, and soundscape. Poet Mark Goodwin and Brian Lewis (of Longbarrow Press) bring together and present a range of vivid, immersive sound-enhanced poetry made through various poet, musician and sound-designer collaborations, as well as by individual poet-sound-artists. The exhibition also includes a small selection of ‘place-entranced’ film-poems. This exhibition is part of Mark Goodwin’s Sound-Enhanced Poetry project, which was awarded an Arts Council of England Grant for the arts in 2013. An open and informal panel discussion about sound-enhanced poetry and film-poem will launch the exhibition on April 10th 2014, 6.30 pm, The Cube Gallery, The Phoenix, Leicester.”
I hope you get to see and hear it in person.
I’m also hoping there will be more to post about the event and exhibition.
Something a little easier for most of us to experience are two more collections of recordings by Dave Migman, both released on March 5, 2014. We have a collection of his solo works, In the Kingdom of the Blind, released on Spleen’s label Splitting Sounds Records, which includes possibly my favorite recording of his, The Drift.
The other collection is another collaboration with Spleen, Where All Tracks Lead. As much as I liked their last album, Sheol, I think I find this one even more satisfying, perhaps because the music is more rhythmic (the old rocker in me is hard to put down).
In the future I’d like to do an article about Radio Wildfire, from the UK, who feature recordings of poetry and sound (I noticed both Dave Migman and Mark Goodwin on a current playlist), as well as hosting and presenting live events. I’m trying to get ahold of them. (A brief aside: the background on their site kills my eyes and leaves me with a fuchsia afterimage that prevents me from seeing much of anything for about 30 seconds. I hope your eyes are more adaptable than mine. It looks like an great site.)
I intend to get more information about recorded poetry from Longbarrow Press (notice that they have a tab for recordings), who publish Mark Goodwin and are involved in the exhibition. My ambition is to fill the world with multimedia publications, so if I ask enough people and write about it I will eventually get my wish? I think with or without me it’s happening.
I have also been digging into what Bandcamp allows you to upload into a release package. This includes PDF and video. So there’s no reason a poet and noisemaker couldn’t include a standard PDF with text and images as well as an interactive PDF with the recordings included, as well as video. Time and technology and skills permitting, of course. I’ve been thinking of releasing something of my own just to test the possibilities but more so I encourage others to try. I would like to hear and see what you can do.