Sylvian/Wright, Migman, and myself

Some recent releases of recorded poetry and music…

2014 David Sylvian released a recording of a project he had begun in 2011 when he paid a visit to poet Franz Wright and recorded Wright reading poems from Kindertotenwald, There’s a Light That Enters Houses with No Other House in Sight.

I had not heard about it until this summer, about two months after Wright had died (May 14, 2015). I had no problem ordering the CD from Amazon but I’ve since heard that it’s already hard to come by. Start emailing Samadhi Sound to let them know it’s their obligation to keep this in print and available (at least through them, if they’ve got problems with the big distributors). I understand that it’s expensive to print LPs and CDs and to keep them on hand but there’s no reason to not have a download available.

Dave Migman has released another album available for purchase at Bandcamp, In the Fine Night We Marched…we’re testing my memory here, I think this is part 2 of The March. The storyline is a retelling based on his notes of a walk from the Pyrenees to Fisterra, along the Via Franca, in 2013. The musical aspect of the record is different from most of his solo albums, which tend to have a DIY punk edge of rough guitar backing his voice (try The March, part 1), while his collaborations with Spleen have a rich electronic backdrop. The music here is primarily synthesized but sparser than Spleen’s style. If I remember correctly he said this album was made in Garage Band.

To help tell the story on my recording memoir Prattle and Din about what I was doing in 2011, just before I began posting my recordings on SoundCloud for all to hear, I re-issued an anniversary collection from that year, 15 Years of Prattle and Din, and put it on Bandcamp. Originally I burned about ten CD copies to give to friends: so, to me, it’s something of a joke to say it’s been re-issued. Most of the compositions were recent (as of 2011) but a couple of them, such as “Music, the Beginning” and “Evil 1”, are recreations of things I’d first recorded in 1996. It’s not particularly representative of my oeuvre in that it lacks stylistic diversity. That is, I tried to put together a fairly cohesive album.

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